Locate stories to cover and the first-hand people to interview. Organize remote shoots for interviews.
Summary
Deborah Correa is an award-winning filmmaker chosen for the prestigious AFI Directing Workshop for Women. A graduate from Emerson College, she is known for combining story development, archival research and producing for documentary, tv, and film.
Credits
1/23 – 3/24
Director (Producer) – The War Between
Film (Feature-length) — Independent
1/23 – 3/24
6/21 – 1/24
Producer – The Real American
Digital — Film (Feature-length) — Infinite Fountain Productions Details
6/21 – 1/24
7/22 – 3/23
Archival Producer – All Up in the Biz!
Showtime — Film (Feature-length) — Mass Appeal Details
7/22 – 3/23
Archival research, licensing and delivery within budget and schedule.
3/21 – 12/22
Co-Producer – Brave New Films
Brave New Films — Film (Feature-length) — Brave New Films Details
3/21 – 12/22
Documentary responsibilities including production management, coordinating and hiring including casting, interviewing cast, organize and execute shoots (remote and local), maintain budget, hire crew, oversee archival research, acquisitions and licensing.
1/20 – 11/20
Co-Producer (Social Justice Documentary) – Racially Charged: America's Misdemeanor Problem
Brave New Films — Film (Short) — Brave New Films
1/20 – 11/20
9/19 – 4/20
Associate Producer (Add'l narration, research, archives, pre-interviews) – Son of a Hitman (Season 1)
Spotify — Podcast/Audio — Tradecraft Alternative Details
9/19 – 4/20
Deep dive research, pre-interviews, v.o., archival research and licensing, fair use assessment with legal teams, etc.
11/19 – 2/20
Clearance Coordinator – 9 Days in July
iHeart Radio — Podcast/Audio — Tradecraft / High Five content Details
11/19 – 2/20
Producing archive flow through sourcing to distributions. Work with the networks on negotiating and licensing archive including clearances, research archive sources, collate archive, source new archive, work with legal for usage parameters and clearances.
4/19 – 11/19
Associate Producer (Story Research, Submission Casting, Historical Research, Archival Clearance & Li) – The Dead Files (Season 12)
Travel — TV — Painless Productions Details
4/19 – 11/19
Deep dive research into locations, properties and families. Genealogical research, historical research and archival licensing and clearances. Honing story beats out of historical and biographical events.
Orgs
Self ID
I identify with the following groups:
Recos
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Deborah was an instrumental part of both of these documentaries, wearing many hats and juggling many responsibilities with great skill and reliability. In production, she arranged shoots, did casting, booked crew, handled logistics, travel, schedule ...MORE...
and gear... essentially production managing. And in post, she tracked down and cleared hard to find archival material, worked on scripts, reviewed edits and oversaw expense reporting for the films. In our lean world of doc filmmaking with a small team, Deborah has always been a huge asset, bringing so much value creatively and organizationally.
- Casey was Producer and Deborah was Co-Producer on Racially Charged: America's Misdemeanor Problem (2020), Beyond B
Jerri Howell
Co-Executive Producer (CoEP)
Consider meeting with Deborah Correa to bring a creative agility to your series or film as a producer, director or ace researcher. As an AFI DWW alum, she’s also a talented director & seasoned filmmaker who interweaves visuals and story with textur ...MORE...
ed layers traditional producers don’t see. From field to post, she’s great to work with and always a clever collaborator with casts and crew.
- Jerri was Creative Executive and Deborah was Development Coordinator on ABC Disney Stage 9 Digital Media
Education
Emerson College
B.F.A. Visual Media Arts & Writing
American Film Institute
Directing Workshop for Women
Skills
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