Chad Horning

Our crew is a small one by design. We all wear many hats. I shot, conducted interviews, produced and prepared shoots, managed media, was the shows Drone operator, and any other tasks that came up with a 4 man crew producing a show of this magnitude. I loved every minute. I don't believe in the phrase "that's not my job."

Along with Producing and shooting Camera (Sony FS7) I was the drone operator/photographer for the entire season. Most of the beauty shots of the Pacific Northwest used on the show were from my drone. I was useful in getting local establishing shots and beauty shots for our traveling episodes from coast to coast.

Producer content, shoot all aspects of show, interview talent, whatever needs to get done with an intimate sized crew. There is no hat I can't wear.

Director of Photography and drone operator for beauty, establishing and tracking shots.

I serve as Director of Photography/Producer in the field on long days of hunting for lost animals. The conditions are challenging, but the rewards are great as I get to document people reuniting with their lost furry family members.

Supervising Field Producer and Shooter for adventure shoot in the Amazon Jungle and Andes Mountains of Chile. Doc style following of intrepid travelers searching for lost and extinct plants.

Along with acting as Director of Photography (Sony FS7) and producing, I was the sole drone operator gathering images from all around the Amazon jungle, the jungles of Peru, the Atacama Desert and the Andes mountains. It is some of my best work.

Producing and shooting compelling content regarding animal rescue. Direction of talent including interviews and otf's. Management of crew and logistics.

Supervision and scheduling of all field work.

This show was primarily a one man band production. I was it. The Producer, Cinematographer, and Drone operator. It was a lot of responsibility and a lot of fun.

Supervision of ALL field elements. Camera direction, conducting interviews, scheduling, logistics, and story development as elements develop. This project also has me "one man banding" often. Shooting on the C300 and managing audio direct to camera. Also operated specialty cameras like Drone and Gimbal based units for unique shots.

Direction of multiple cameras, liaising with talent, conducting interviews, management of crew.

Field Producer. Direction of camera, interviewing of subjects, implementation of story line and logistics.

Lead field team. Was Supervising Producer for start up of this franchise. Supervising and implementation of all logistics, talent and story. Management of logistics for this traveling episode. Management of talent. Direction of multi-cam shoot.

Lead field team. Was Supervising Producer for start up of this franchise. Supervising and implementation of all logistics, talent and story. Operation of multiple vehicles in remote locations such as boats, ARGO's, off road vehicles and many many boats.

THIS BECAME DAM'S #1 RATED SHOW SEVERAL TIMES. Lead field team. Was Supervising Producer for start up of this franchise. Supervising and implementation of all logistics, talent and story. Operation of multiple vehicles in remote locations such as boats, ARGO's, off road vehicles and many many boats.

Lead field team. Was Supervising Producer for start up of this franchise. Supervising and implementation of all logistics, talent and story.

Lead field team. Was Supervising Producer for start up of this franchise. Supervising and implementation of all logistics, talent and story.

Lead field team. Establishment of format and work flow. Supervising and implementation of all logistics, talent and story. Operation of multiple vehicles in remote locations such as boats, ARGO's, off road vehicles and many many boats.

THIS BECAME DAM'S #1 RATED SHOW SEVERAL TIMES. Lead field team. Supervising and implementation of all logistics, talent and story. Operation of multiple vehicles in remote locations such as boats, ARGO's, off road vehicles and many many boats.

THIS BECAME DAM'S #1 RATED SHOW SEVERAL TIMES. Lead field team. Establishment of format and work flow. Supervising and implementation of all logistics, talent and story. Operation of multiple vehicles in remote locations such as boats, ARGO's, off road vehicles and many many boats. Also story produced multiple episodes in post.

Driving of all creative. This show followed a real business which required extensive logistics and talent management.

I HAVE EXTENSIVE LAW ENFORCEMENT SHOW EXPERIENCE. On a homicide show you must ALWAYS be appropriate. There are very sensitive issues, and a myriad of legal rules to follow. This show teaches you how to interact with people of all walks of life and gain their respect and trust.

Start up of show. Lead field team. Development of format and work flow. Management of all logistics and talent. THIS BECAME DIY'S HIGHEST RATED SHOW.

This was a one man operation due to safety and logistic constraints. I was producer, director, shooter, sound and liaison to police department including patrolmen and chief's office. I ran after bad guys, jumped fences and ended up in the thick of things, all while getting the shot.

This was a one man operation due to safety and logistic constraints. I was producer, director, shooter, sound and liaison to police department including patrolmen and chief's office. I ran after bad guys, jumped fences and ended up in the thick of things, all while getting the shot.

I WAS ALMOST RUN DOWN BY A HEARD OF WILD HORSES ON THIS SHOOT! Direction of all field operations, logistics, scheduling and travel. Direction of multi-cam shoots in challenging conditions all over the world. Management of talent.

Opened new city or show. Lead field team. Producer, Director, shooter and liaison to Police Department.

Homicide Show. Producer, Director, shooter and liaison to Police Department.

Writing, planning and producing of shows all over the world. Direction of cameras, crew and logistics while on location.

Directed 30, Multi-Cam shows, in 30 different venues, in 30 days, with 30 different crews. Traveled from coast to coast and helped generate story for the documentary film.

Produced entire run from Pilot to final episode. Handled all logistics for show. Hiring of crew and negotiating rates. Procurement of all equipment. Scheduling. Handling of A list talent. Worked closely with show host Jon Favrea and Executive Producer Peter Billingsley

Producer of "Bad Facts" segments. Write, produce, shoot and editing of those segments.

Produced entire run from Pilot to final episode. Handled all logistics for show. Hiring of crew and negotiating rates. Procurement of all equipment. Scheduling. Handling of A list talent. Worked closely with show host Jon Favrea and Executive Producer Peter Billingsley

Produced entire run from Pilot to final episode. Handled all logistics for show. Hiring of crew and negotiating rates. Procurement of all equipment. Scheduling. Handling of A list talent. Worked closely with show host Jon Favrea and Executive Producer Peter Billingsley