Francis Kapaun

I was a G&E Swing for the social media, episode lead ins and episode endings for the upcoming season.

I work as a set grip, my duties are helping to implement the lighting plan, and set safety.

I did the pre-production studio rigging and location tenting for a Netflix scripted television drama

I did the pre-production studio rigging for a Netflix scripted tv show.

Working as a Company Grip on the Second Unit.

I filled in as a Company Grip in the absence of a regular crew member for a week. My duties consisted of supporting the camera department and bending, shaping, and filtering light on a scripted tv show.

Set up for and interview set, to include lighting, for an interview with shoot Kendrick Lamar.

I did car rigging and regular grip duties on the second unit of Zombieland 2: Double Tap.

I was the Grip/Swing for a sit down interview.

I worked as a Grip/Swing on a Golf Channel documentary about the history and rebirth of East Lake Golf Course. It's relationship to Atlanta and it's place in Atlanta history.

I was a Grip/Swing for a sit down interview with Ne-Yo. Helped to load in/out and setup and light the set.

I worked as a Grip on a streaming live production for X-Box featuring Todd Gurley, Rob Gronkowski and Von Miller in conjunction with Super Bowl Week in Atlanta.

Day played as a Company Grip on the First Unit and worked Second Unit

Worked as a Grip/Electric Swing on an interview date featuring Tami Roman.

I was a day player Grip and assisted in the set up and rigging of lighting and equipment.

I was a Rigging Grip on a live event.

Day played as a Company Grip. Assisted with the rigging and building/tenting on an off studio site.

Assisted with the set up and strike of a NCAA Division I college football game for ESPN. During the game, I functioned as a sideline skilled utility, assisting the camera crew.

Assisted in the rigging of lighting in a studio for the upcoming season of The Passage.

Was a Company Grip that supported the Camera Department, Electric Department and worked as part of a team under the direction of the Key Grip and Director of Photography.

Day played as a Company Grip on the pilot/1st Season of a scripted tv show.

I set up a green screen, lighting and prepped for two days of interviews, along with monitoring B Cam. Assisted with charging batteries and media swap outs.

I was the Production Assistant for a reality pilot being shot by Bustle Media in New Orleans, LA. My duties included the load in and out of equipment and any assistance the production staff needed on or off set.

Assisted in the set up and take down of a corporate event. Assisted event organizers in execution of said event.

Was the Best Boy Grip for the Reshoot on the short film Panda.

I did the set up and lighting for a series of interviews to be used in corporate videos for the American Diabetes Association. In addition, I functioned as a second camera operator on this job.

Provide support for the camera department and assist the director of photography with set ups and lighting.

Support the Camera and Lighting Departments on a low budget feature film.

Assisted and supported the Camera Department, setting up equipment, changing lenses, building cameras, managed batteries and media for a crew shooting a BBC television special.

As the Set Production Assistant, I was in charge of taking Producer Notes for an MTV special detailing the efforts of Debra Danielson to launch her record label, learn the "rap" game, record a song and make a music video.

Helped with the load in/out of equipment for location wrap up and move. Other standard PA duties.

Was Camera PA for a contestant segment for American Grit. Additionally, I assisted with lighting, load in/out of equipment and transportation of crew.

Helped with the load in/out of gear, drove for crew and any other ancillary tasks as directed.

Functioned as the Company Grip on a feature film. Set up and stored equipment, took direction from the Key Grip and supported the Camera Department on set.

I picked up the talent at their residence, transported them to the airport then boarded a flight with them and made sure they safely arrived at their destination.

Day player PA that helped the production get their vehicles and equipment ready for the upcoming season.

Was the Key Grip for a commercial shoot at a hotel/restaurant in Biloxi, MS.

I was responsible for the transportation, and quality of life functions for a three person crew consisting of a Producer, Camera Op/Gaffer, Sound Mixer and Talent for The Lifetime Network's presidential election coverage.

Basic Grip/PA duties for a live event presented by a major pharmaceutical company.

Worked with the design team in staging of rooms of houses that were being renovated. Coordinated between local vendors and design/production team. Handled transportation and storage of furniture to be staged. Handled and reconciled petty cash. Coordinated efforts between Production and Design Teams.

Supervised a crew of 4-12 PAs, coordinated efforts between production, culinary, field, art and transportation departments, over saw the flipping of a stage between segments, supervised the cleaning of an office complex and bathroom facilities.

Was responsible for supervising two PAs, upkeep of 6 production vehicles, maintenance of communications gear and batteries, and ensuring that craft services and meals were up and running for a production crew of 17.

Was responsible for set continuity, the design of sets, and procuring items to be used as set dressing.

Was a Camera PA for a small crew reality shoot in Baton Rouge, LA, that used Canon 5Ds. Maintained and managed batteries and tapes, did camera setup, assisted the AC and did basic Grip work.

General set PA duties in addition to assisting the Grip/Electric as a Utility and on competition days, serving as the b-roll camera crew's camera PA. The actual season I worked on was season 2B. Staff Me Up did not have a season 2B option available.

Did set PA Duties along with grip work.

Moved, built and staged furniture, worked in both a set and warehouse environment, general set pa duties and light carpentry.

Shot B-Roll of Mardi Gras Parades and Festivities for an upcoming series of commercials for the Mississippi Gulf Coast Visitors Bureau.

I was the primary camera operator (Canon C 100 and Canon EOS 60D) for a documentary short that filmed on the Mississippi Gulf Coast in February 2015. The subject of the documentary was the Pass Christian, MS Mardi Gras parade.

Responsible for all facets of transportation for a feature film, Shark Lake, currently filming on the Mississippi Gulf Coast.

Responsible for lighting and grip electric.

Responsible for generators and lights.

I worked as a transportation production assistant. It was my duty to make sure that crew were picked up and delivered to their destinations in a safe, efficient, timely manner.

I did Dolly, Grip and Boom work for a gospel music video shoot in Gulfport, MS.

Worked as a Production Assistant responsible for setting up craft services.

Did Boom, Grip, and Dolly work on a TV pilot that is currently in development.

Worked as a PA responsible for talent transportation.