Sally O'Grady

• Producing 20 days of re-enactment shoots; managing crew of up to 10, including multiple locations, sets and actors. Creating and keeping track of beat sheets in the field. • Directing selected re-enactment scenes • Coordinating flow of content from Visual effects production through to post. • Sourcing and pre-interviewing experts and victims of the attack.

• Content research on concept of the end of times • Sourcing experts and Conducting on camera interviews • Managing schedule and crew in the field. Creating and keeping track of beat sheets in the field. • Managing Post Production (creating internal archiving system)

• Collaborating on story research and ideas • Sourcing an array of subjects from Inuit hunters in Greenland to one of the few remaining groups of nomads in Turkey. Creating and keeping track of beat sheets in the field. • Coordinating and field producing shoots in Greenland, Turkey, Costa Rica. • 2nd unit camera

• Sourcing experts and all archival footage • Pre-interviewing experts, collating footage, writing script • Supervising Edit

Working with a team of 4 to create videos for the Sant Ocean Hall wing at the Smithsonian. • Content research: sourcing information and story ideas • Sourcing and pre-interviewing subjects • Coordinating and field producing shoots • Managing Post Production including archiving and maintaining media workflow.

• Content research: presenting information and story ideas to producers. Sourcing and pre-interviewing subjects. Coordinating and field producing shoots.. • Archival research: sourcing and evaluating archival footage and stills for the entire season of History Detectives • Deliverables: managing rights and clearance, compiling rights bibles, obtaining all releases.

Pitching story ideas, sourcing and pre-interviewing on camera experts, coordinating shoots, sourcing and licensing archival material. Managing post production.